Of Fathers and Sons

by Talal Derki
  • 2017 BASIS BERLIN Filmprod.
  • 2017 BASIS BERLIN Filmprod.
  • 2017 BASIS BERLIN Filmprod.
  • 2017 BASIS BERLIN Filmprod.

    Synopsis

    Talal Derki’s new documentary tells the story the young generation in Syria and asks about the future of children, who grew up in the war.

    If you want to tame your nightmares, you need to capture them first. That’s what Syrian documentary filmmaker Talal Derki learned from his father. As in his previous film RETURN TO HOMS, he returns to his homeland and becomes part of life in a war zone. For more than two years he lives with the family of Abu Osama, an Al-Nusra fighter in a small village in northern Syria, focusing his camera mainly on the children. From a young age, the boys are trained to follow in their father’s footsteps and become soldiers of God. The horrors of war and the intimacy of family life are never far from one another. At the nearby battlefront Abu Osama fights against the enemy, while at home he cuddles with the boys and dreams of the caliphate. Talal Derki sets out to capture the moment when the children have to let go of their youth and are finally turned into Jihadi fighters. No matter how close the war comes, there's one thing they've already learned: they must never cry.

    Festivals

    nominated for German Film Award LOLA 2019
    & Anne Fabini the editor of the documentary is one of the nominees Best Editing
    nominated for Academy Award ® 2019 Feature Documentary

    Grand Jury Prize, World Cinema Documentary Competition @ Sundance 2018
    THE GOLDEN HORN for the director of the best film @ Krakow FF 2018
    FIPRESCI award @ Krakow FF 2018
    Special Jury Mention @ Valletta FF 2018
    The Best Doc film @ BIAFF 2018
    Silver Star @ El Gouna FF 2018
    Best Arab Documentary @ El Gouna FF 2018
    Open Borders Fellowship Award presented by Netflix @ Sundance 2018
    Big Stamp - International Competition @ ZagrebDox International Documentary Film Festival 2018
    Moves That Matter Award @ ZagrebDox International Documentary Film Festival 2018
    The Peter Wintonick Audience Award @ Thessaloniki Documentary Film Festival 2018
    Best Director @ One World Prague 2018
    Main Prize @ 20th Ljubljana Doc Film Festival 2018
    The Special 10th Anniversary Prize @ Millenium International Documentary Film Festival Brussels 2018
    Special Jury Award @ Full Frame Film Festival 2018
    Center for Documentary Studies Filmmaker Award@ Full Frame Film Festival 2018
    Best Film Award presented by Amnesty International @ The International Slovenia Documentary Film Festival 2018
    Opening Night Ceremony Film @ Festival Visions du Reel 2018
    Special Mention @ Cinepolitica Film Festival 2018
    Special Mention from the International Jury @ DocumentaMadrid 2018
    Best International Feature @ Doc Edge Festival 2018
    Grand Prize @ Pärnu International Documentary and Anthropology Film Festival 2018

    2017
    IDFA Amsterdam
    2018
    Sundance
    True/False
    African, Asian and Latin America Film Festival in Milan
    Ambulante
    Sarasota Film Festival
    Moscow International Film Festival
    Zagrebdox
    Thessaloniki DFF
    Millenium IDFF Brussels
    One World Prague
    Hot Docs
    DocsBarcelona
    DocEdge
    DocumentaMadrid
    Helsinki IFF
    Sarajevo FF
    El Gouna Film Festival
    Deutscher Dokumentarfilmpreis 2018 @ SWR Doku Festival
    Fritz-Gerlich-Filmpreis @ Filmfest München 2018
    Best Film in the section The Journey @ Sole Luna Doc Film Festival 2018
    Big Golden Nanook - Grand Prix for the Best Film of the Festival @ IDFF Flahertiana 2018
    The Best Doc Film @ Batumi Int. Art House Film Festival 2018
    Youth Award @ Festival International des Cinémas d'Asie de Vesoul
    AJB Main Award @ Al Jazeera Balkans Documentary Film Festival 2018
    Lo Porto Prize @ Terra Di Tutti FF 2018
    ANHAR Award for Best Arab Film @ Karama FF 2018
    WATCH DOCS Award for best feature-length documentary @ WATCH DOCS Human Rights in Film Festival 2018

    Director’s Statement

    As an activist against the Assad regime, I followed my friends in Homs with the camera since the beginning of the demonstrations in spring 2011. I always wanted to experience and document my country’s quest for freedom - a freedom that allows the coexistence of all ethnic groups and religions in Syria and would allow me and my family to return to my home country. I was full of hope and euphoria first, then greatly disappointed by the growing confrontations between the radical groups. Today, the situation in my country is more broken than ever and my dream is fading away.

    After my film RETURN TO HOMS, which was about the young rebel Basit Sarout and his comrades, I wanted to go deeper. I wanted to penetrate the psychology and the emotions of this war, understand what made people radicalize and what drives them to live under the strict rules of an Islamic state. In the media, war is often portrayed as a chess game and Islam is labeled as evil. If we see the images of war, we get the feeling that it is a non-real parallel world. In FATHERS & SONS, I want to establish a direct relationship between the protagonists and the audience. I would like to take my audience with me on my journey and communicate with them through my camera.

    The main characters of my film are Abu Osama (45), one of the founders of Al-Nusra, the Syrian arm of Al-Qaeda, and his two eldest sons Osama (13) and Ayman (12). I have been living with them over the period of 2 1/2 years and became a part of their family.
    Although I am an atheist, I prayed with them every day and led the life of a good Muslim to find out, what is happening in my country. Abu Osama is not only a loving father, but also a specialist for car bomb attacks and the disposal of mines. He deeply believes in an Islamic society under the laws of the Shari'ah, the Caliphate, and therefore he also places his children at its service.

    I follow Osama and Ayman to a training camp for young fighters and start to understand how the children are affected, as they really do not have a chance to choose freely. How will I become who I am? Where is hope? What will the future look like? What choices do we have? The children are those who enable us to emotionally experience and understand the complex tragedy of Syria. Often, they are the ones who can look through all the
    madness, and in their own childlike way, they can save hope.

    FATHERS & SONS is my personal journey through a devastated country and a troubled society, looking for answers to my desperate questions about the future of my country and the future of my family who had to flee into exile.