Films by Susanne Schüle

Germany 2018, 111 min
by Gerd Kroske

In 1970, Dr. Wolfgang Huber and a group of patients founded the anti-psychiatric (Sozialistische PatientenKollektiv - SPK) 'Socialist Patient’s Collective' in Heidelberg. Controversial therapy methods, political demands, and a massive interest in the movement from patients deeply distrustful of conventional “custodial psychiatry,” led to run-ins with the University of Heidelberg and local authorities. The conflict quickly escalated and resulted in the radicalization of the SPK. Their experiment in group therapy ultimately ended in arrests, prison, and the revocation of Huber’s license to practice medicine.From a historical perspective, the SPK court cases seem to anticipate the Stammheim trials, with the exclusion of defense attorneys, the total non-compliance of the defendants, and harsh penalties for both Huber and his wife. The severity of the sentences handed down appears hardly proportional to the actual deeds of the accused. The allegation of having supported the RAF, and thus of being complicit in their terrorism, still clings to the SPK and overlies what the movement was originally about: the rights of psychiatric patients, resistance, and self-empowerment—issues that are still relevant today.SPK COMPLEX focuses on the untold story of events before the 'Deutscher Herbst' (German Autumn) and their consequences up to the present day. A story of insanity, public perception, and (un)avoidable violence. (Berlinale Catalogue)

2017, 91 min
by Judith Keil, Antje Kruska

Der Film begleitet den Imam bei seiner täglichen Arbeit, in der er für Familienprobleme Rat geben soll und zugleich Stellung beziehen zu politischen Fragen der Öffentlichkeit. Dabei führt er ein offenes Haus, indem er immer wieder zu Diskussionen einlädt. Während er in seiner muslimischen Gemeinde oft gegen eine zu strenge Auslegung der Religion ankämpft, steht er in der deutschen Öffentlichkeit unter Verdacht, zu konservativ, wenn nicht sogar radikal zu sein."Dabei entwickelt der Film eine stimmige Dynamik und umgeht mit beschwingter Leichtigkeit die Gefahr, zum Problemstück zu werden." (FilmDienst)

Germany 2009, 95 min
by Gerd Kroske

In the 80's, new border barrier systems were used in the former GDR. The escape attempts with cars towards West Germany increased. Metal workers and Stasi (Ministry for State Security) are working hand in hand for the defence against “terrorism” in order to prevent escape attempts. In conspiratorial work they created new barriers after their actual working hours. Crash tests for the defence against terrorism, collisions for the case of emergency. Cars crashing into the new barricades, leaving a total loss. From the mid-80s those barriers were installed at all border crossing points. The film is about the motivation of all who were involved, from tragic ending escapes and gives insight into the German engineering ingenuity and the military spirit. Pure GDR archeology Original dialogue:: Question: „Why did they use cars from West Germany for their tests?” Answer: „In a Trabant automobile, it would have been a futile attempt already thwarted by the wire mesh."