Films by Philippe Ciompi

Switzerland, Germany, Georgia 2021, 91 min
by Salomé Jashi

The opening shot of filmmaker Salomé Jashi’s striking environmental tale captures a tree as tall as a 15-story building floating on a barge across the vast Black Sea. Its destination lies within a garden countless miles away, privately owned by a wealthy and anonymous man whose passion resides in the removal, and subsequent replanting, of foreign trees into his own man-made Eden.With astonishing cinematic style,Taming the Garden tracks the surreal uprooting of ancient trees from their Georgian locales. With each removal, tensions flare between workers and villagers. Some see financial incentives—new roads, handsome fees—while others angrily mourn the loss of what was assumed an immovable monolith of their town’s collective history and memory. With a steady and shrewdly observant eye, Jashi documents a single man’s power over Earth’s natural gardens: how majestic living artifacts of a country’s identity can so effortlessly become uprooted by individuals with no connection to the nature they now claim as their own.

Japan, Germany 2021, 65 min
by Arata Mori

Emilione, a million lies – so people nicknamed Marco Polo. They doubted his astonishing journey to the east. “A Million” depicts an imaginary city on the real urban cities along the new silk road – revived by the Chinese initiative’s alternative globalization – through the eyes of a filmmaker from the east. The modern adaptation of Italo Calvino’s “Invisible Cities” confronts a fabricated, materialistic world in political transformation and wanders over the boundary between truth and fake.

Germany, Norway, Libanon 2018, 68 min
by Jumana Manna

Deep in the earth beneath the Norwegian permafrost, seeds from all over the world are stored in the Global Seed Vault to provide a backup should disaster strike. For the first time ever, seeds held there from a major gene bank in Aleppo are now being replicated, after its holdings were left behind when the institution had to move to Lebanon due to the civil war. It is refugees from Syria who are carrying out this painstaking work in the fields of the Beqaa Valley. In the Levant, dry conditions and the power of global agricultural corporations are the biggest challenge, while in the Arctic Circle – where the seed vault was supposed to withstand anything – it is rising temperatures and melting glaciers.Wild Relatives loosely links together different narratives and biographies, opening up a space to reflect on biodiversity, resilience, global justice and climate change, as well as disasters caused by human hand and the ambivalent efforts made to overcome them. Beauty and horror lie close together in the Anthropocene, just as they do in this film’s outstanding images.