Libanon, Germany 2023, 87 minby Cyril Aris
On August 4th, 2020, the catastrophic explosion at the port of Beirut leaves a large part of the Lebanese capital in ruins. In the midst of the chaos, a troubled film crew faces an overwhelming decision: to continue the production of their movie or abandon it? As they face the aftermath of the catastrophe, they are torn between their firm belief in the transformative power of cinema and a deep sense of cynicism about its ability to effect change in a nation plagued by economic turmoil and societal collapse. Dancing on the Edge of a Volcano chronicles their struggles and highlights the crew's resilience as they strive to find meaning and purpose in their work amidst the devastation.
Dancing on the Edge of a Volcano
Egypt, Libanon, Germany, France, Denmark, Norway, Qatar 2017, 83 minby Mohamed Siam
Amal is 14 years old when she ends up on Tahrir Square during the Egyptian revolution, after the death of her boyfriend in the Port Said Stadium riot. During the protests, she is beaten by police and dragged across the square by her hair. This coming-of-age film follows her over the years after the revolution. As the film cuts between the unfolding current events and Amal’s rapidly changing life and appearance, we see her searching for her own identity in a country in transition. Amal is fiery and fearless, sinking her teeth into the protests and constantly lecturing her mother, who works as a judge. A girl among men, she also has to fight for respect and the right to take part, both in the street and in the rest of her life. In Egypt, even for a young woman like Amal—her name means "hope"—the choices open to her for her future are limited. (IDFA)“Portrays in a fresh, close-up and dynamic way the energy of a socially marginalized young woman in today’s Egypt.” Film Prize for International Cooperation, Robert Bosch Stiftung"Checking in annually on Amal’s unpredictable progress over five tough years, Siam’s bittersweet film elegantly maintains its dual personal and political narrative without undue contrivance." Guy Lodge, Variety
AMAL
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