France, Germany 2021, 108 minby Christophe Cognet
As men and women desperately attempted to pass images of hell on to us, we have a duty to look at them. From these unprecedented photographs, taken secretly by deportees at the risk of their lives, we are bound to wonder how we could imagine the events of which they bear the incomplete and fleeting traces. This film is putting together an archeology of images as actions, conducting a worried exploration of the capacity and lack of the human imagination when confronted to the most dismal darkness. Such pictures are the only ones of which nature derives decisively from an equal status of authors and subjects. Deportees managed to take such clandestine photographs in at least five camps, from 1943 to the autumn of 1944: Dachau, Mittelbau-Dora, Buchenwald, Auschwitz- Birkenau et Ravensbrück.
From Where They Stood
Germany 2019, 80 minby Lilian Franck, Robert Cibis
At sixteen, Uffie posts a song online and becomes an internet sensation.She goes on world tour. Champagne in Tokyo, French kiss in New York, cocaine in Hong Kong.But she is young, and the more famous she becomes, the greater the pressure gets. A chance to escape appears as her child is born, but the music industry won’t let her go. Her daughter is brought up by a nanny while Uffie is away. Amidst gigs, an overdose and her mother’s death, hope for change arises as Uffie is pregnant again.
FUCK FAME
Germany, Austria 2018, 85 minby Lilian Franck
We lack knowledge when it comes to our health. There are a very few institutions we can rely on for competence and independence in this area. Doctors, of course, and the Ministry of Health, as well. They, in turn, rely on the World Health Organization. What if the trust and responsibility that billions of people around the world relinquish and transfer, are not justified?This personal investigation tells the story of how the WHO has been infiltrated and influenced by industry, and how the member States misuse the UN-organization for their own national economic interests. Whether dealing with the tobacco scandal, swine flu or Fukushima - the WHO plays a daunting role. It lacks funding, power and transparency. And its decisions end up helping the pharmaceutical companies and the nuclear energy industry more than the victims. The WHO was created as a guardian of world health, but it has become the plaything of individual interests. Lilian Franck shows a frightening portrayal of our present society, in which governmental politics is becoming obsolete.
trustWHO
Germany 2009, 95 minby Lilian Franck, Robert Cibis
Pianomania is a portrayal of Stefan Knuepfer, the virtuosic piano tuner from Steinway, Austria, and his many famous clients at work, including Lang Lang, Alfred Brendel, Andrej Gravilov, Mitsuko Uchida, Rudolf Buchbinder and Pierre-Laurent Aimard; the film offers an unusual and amusing look behind the heavy curtains at major concerts. This film is about the quest for the perfect tone. It shows each obstacle that is created by abandoning everyday routine and surrendering oneself to Art.The fortitude that devotion engenders, the supreme love of perfection and of divine moments; and yet the refusal to bask in one’s glory. Our protagonists are world-renowned pianists and their hero, piano tuner Stefan Knuepfer; and all are obsessed with the idea of the perfect sound.
PIANOMANIA
Bitte aktivieren Sie Javascript, um auf unsere Website zugreifen zu können.