Films by Karin C. Berger

Germany, Austria 2019, 100 min
by Marayam Zaree

Born in Evin follows filmmaker and actress, Maryam Zaree, on her quest to find out the violent circumstances surrounding her birth inside one of the most notorious political prisons in the world. Exactly forty years have passed since the monarchy of the Shah of Iran was toppled and the Islamic Republic declared. In the 1980’s Ayatollah Khomeini, the so-called religious leader, had tens of thousands of political opponents arrested, persecuted and murdered. Among them the filmmaker’s parents who, after years in prison, managed to seek asylum in Germany. The family never talked about their persecution and imprisonment. Maryam Zaree faces the decades-long silence and explores her own questions about the place and the circumstances of her birth.She meets other survivors, talks to experts and looks for the children born in the same prison. She tries to find answers to her personal and political questions. What are the personal consequences of persecution and violence when the same perpetrators remain in power while the victims internalize their stories? And what does it mean, politically, to face the silence within the family. The political is private and the private political. With this conviction, Maryam Zaree works through the complexities of trauma and denial.

Germany, Austria 2018, 85 min
by Lilian Franck

We lack knowledge when it comes to our health. There are a very few institutions we can rely on for competence and independence in this area. Doctors, of course, and the Ministry of Health, as well. They, in turn, rely on the World Health Organization. What if the trust and responsibility that billions of people around the world relinquish and transfer, are not justified?This personal investigation tells the story of how the WHO has been infiltrated and influenced by industry, and how the member States misuse the UN-organization for their own national economic interests. Whether dealing with the tobacco scandal, swine flu or Fukushima - the WHO plays a daunting role. It lacks funding, power and transparency. And its decisions end up helping the pharmaceutical companies and the nuclear energy industry more than the victims. The WHO was created as a guardian of world health, but it has become the plaything of individual interests. Lilian Franck shows a frightening portrayal of our present society, in which governmental politics is becoming obsolete.