Films by Kai Tebbel

Germany 2018, 92 min
by Regina Schilling

Just as the Federal Republic of Germany went uphill, German entertainment television developed so splendidly. And the showmasters took part in forgetting the war and its traumatic events: Kulenkampff, Hans Rosenthal and Peter Alexander. All three fell into the turmoil during the war, Kulenkampff and Alexander as soldiers, Rosenthal as a Jew, who, with unbelievably luck, narrowly escaped deportation several times. Like my father, they belonged to a very special generation: First abused by National Socialism, then harnessed to the hamster wheel of reconstruction, they knew nothing of traumatization, or did not want to know.

2017, 86 min
by Filip Antoni Malinowski

After 21 years of continuous failure in UN climate change negotiations 195 nations, 20.000 worldwide negotiators meet at a private airport shielded by the military in the north of Paris for a last attempt to save our planet. Behind closed doors these delegates have to agree on the first global climate change agreement that shall operate for the next decades and be a milestone in multirateral diplomacy. An agreement that will impact each human on earth, born or unborn. A negotiation that will decide if we as a species can survive. “Guardians of the Earth” shows the battle towards this monumental agreement through the perspective of major players as the head of the UNFCCC, the fossil fuel exporting countries and the most vulnerable states to climate change. Unreleased footage gives insight into the process behind closed doors and reveals the conflict of a globalized society: the dilemma between solidarity versus national self-interest – a fight between economic growth and massive loss of lives. As sea levels keep rising, glaciers are melting, heat-waves, droughts and Super-Typhoons become more frequent – time is running out to act – climate change is our reality. While showing the complex progress to the final success of the agreement, the film also exposes the crucial question for the viewer: Can mankind unite to challenge the biggest threat of our times?The film will also go along with a Cross-Media platform and already has participated in X-Media Lab & Dok Leipzig Net Lab. Cross Media development funding by: bmu:kk

2014, 94 min
by Regina Schilling

Portrait of actress, author and director Adriana Altaras. Adriana Altaras is a director, actress and writer. And she is from a country which no longer exists: Yugoslavia. The daughter of Jewish partisans who fought for Tito and later started a new life in post-war Germany, in this lovely film she tells the story of her ’high maintenance family’. Adriana’s domestic situation appears unusual at first glance, but can be seen as typical of the generation born after the War. Despite a high standard of living, the wounds from her parents’ past can be felt, even to this day, and the search for her own roots are her constant companion.

Germany 2007, 105 min
by Harald Bergmann

The German poet Rolf Dieter Brinkmann died at the age of 35 in an accident in London in April 1975. He left behind a voluminous, unfinished work-in-progress that included many hours of documentary film material, audio recordings and thousands of photographs. The film, Brinkmanns Wrath, incorporates portions of this existing material with new scenes shot in the city of Cologne, London and Cambridge. Considered to be in the seventies one of the most important poets of post-war Germany, Brinkmann’s work is definitely in the marginal outsider vein, approximating a sort of hybrid of Frank O’Hara, William Burroughs, and W.C. Williams, all of whom were important influences on Brinkmann’s work. His confrontational nature and volatile personality were feared at readings, and together with his huge creative output and his early death, earned him a reputation as the "James Dean of poetry,” a true enfant terrible of contemporary letters.