Films by Gereon Wetzel

Director, DoP
THE ART OF THE ARGUMENT

Germany 2018, 97 min
by Gereon Wetzel

Four young law students from the LMU München in Germany are participants in an international law competition, the legendary Jessup Moot Court. Celia, Mahja, Nina and Clemens are in their early twenties and have no previous knowledge of international law and have a few weeks to become experts in questions of mass-surveillance, cyber-attacks and whistle-blowing. Students from the world's best universities present their cases to top-class legal professionals. The students are supervised by three Coaches, who give them topical advice but also train them in rhetoric and public speaking. Only if the four protagonists work as a team can they become 'world champions of international law'.Two nations take their matter to the International Court of Justice. They have a hard-fought argument over a mass surveillance program, terrorism, and a whistle-blower. What sounds like recent reality of the spying scandal concerning Edward Snowden is a fictional setting, grounding the most important competition in international law, the Jessup Moot Court. Four young students from LMU Munich, Germany embark on the challenge of tackling these pressing legal issues of our time and of defending their nation as lawyers in front of top-class legal professionals. They fight from round to round to reach the prestigious finals in Washington where the best universities from around the world meet.Frederico Frost, a top agent of Riesland’s intelligence service, hands over gigabytes of data to neighbouring Amestonia’s press, which prove the mass surveillance of Amestonia and its citizens by Riesland. The subsequent diplomatic crisis brings the two nations directly before the International Court.This fictional case, inspired by the Edward Snowden scandal, is the setting for the Jessup Moot Court, the world championship in international law. About 150 teams of the world’s best universities gather at this tournament to compete as lawyers for the two nations. In simulated trials, the teams have to find loopholes,persuade top judges, and checkmate their competitors rhetorically in filled court rooms.Four young students from Munich CELIA (22), MAHJA (20), NINA (21) and CLEMENS (20), have registered for this legendary competition. They have a few weeks to become experts on mass surveillance and cyber law to be able to convincingly represent a whole nation in court.Will they be able to overcome sleep deprivation and blackouts to become a team that can beat the best universities of the world in this championships to reach the renowned finals in Washington?

The Art of the Argument

Robert Frank, June Leaf, Gerhard Steidl

Germany 2011, 88 min
by Gereon Wetzel, Jörg Adolph

For 40 years, Gerhard Steidl has combined the roles of printer and publisher, resolved to personally check each sheet leaving his printing shop in Göttingen. This perfectionism, combined with an unconditional love for books, for the traditional printing craft, and a commitment to the quality standards of manufacturing (in the original sense of the word, made by hand), has gained worldwide attention. The most internationally renowned photographic artists vie for the opportunity to collaborate with Gerhard Steidl, to conceive and produce the perfect publication with him. Filmed in the direct cinema style, HOW TO MAKE A BOOK WITH STEIDL observes the publisher, as he collaborates with the world famous photographers Joel Sternfeld, Robert Frank, Ed Ruscha, Jeff Wall and Robert Adams, at their studios and other places of work, in New York, London and Paris, in the Katar desert, and, last but not least, in Goettingen. Here, in ‘Steidlville’, their works are printed on Steidl‘s own machines, in three shifts. In goes the idea, out comes the finished book. Gerhard Steidl’s independent empire is founded on several sources of income - a significant portion of his publishing efforts being dedicated to Karl Lagerfeld and Chanel - printing everything for the designers, from admission tickets to catalogues. Other staples are the German metal workers’ collective labor agreement and, for many years, each new book by Nobel laureate Guenter Grass. This is where he earns the money that he, to use his words, ‘throws out the window’ on ambitious photographic art projects. HOW TO MAKE A BOOK WITH STEIDL presents a man in constant movement, a German entrepreneur who has made the whole world his home. His experience and artistic empathy, his untiring dedication and diligence have made him the most important publisher of photographic books of the last decade. World Sales: AUTLOOK FILMSALES GmbH Trappelg. 4/17, 1040 Vienna, Austria, tel.: +43 (0) 720-346934

HOW TO MAKE A BOOK WITH STEIDL