Films by Felix Trolldenier

Germany 2021, 89 min
by Owen Prümm

The Bastard King chronicles the life of a lion from cub to adulthood – battling against an unimaginable enemy that is ravaging his world. This visually stunning journey challenges traditional storytelling serving as an allegory for endangered species… and our very own fate. Shot over ten years in a remote area of Africa, we walk with the Bastard King – a lion cub born with heterochromia – one eye yellow, the other blue – the result of a taboo union between the Blue-Eyed and Yellow-Eyed prides.TH

Germany 2019, 128 min
by Anne Andersen

An essayistic approach to the rural beekeepers‘ fight for survival and the endurance of a lively culture that has largely disappeared from view. The filmmaker, who has kept bees herself since childhood, follows the daily working life of beekeepers in the countryside of West Mecklenburg.What is often overlooked, ignored, forgotten, comes into play in Heiner Müller‘s comedy ‘The Resettled Woman’, rehearsed by stage director Armin Petras with actors, farmers, beekeepers in Ludwigslust. The play, w

2017, 87 min
by Anna Kersting

In India, children have started to take control of their lives by setting up children’s parliaments. We show how, together, they can make a difference – with astonishing determination, courage and creativity.They no longer want to tolerate social grievances and environmental pollution. They campaign against child marriage, child labour and domestic violence. They fight for better infrastructure and a cleaner environment. Children in India have taken their lives into their own hands and started t

2017, 91 min
by Judith Keil, Antje Kruska

Der Film begleitet den Imam bei seiner täglichen Arbeit, in der er für Familienprobleme Rat geben soll und zugleich Stellung beziehen zu politischen Fragen der Öffentlichkeit. Dabei führt er ein offenes Haus, indem er immer wieder zu Diskussionen einlädt. Während er in seiner muslimischen Gemeinde oft gegen eine zu strenge Auslegung der Religion ankämpft, steht er in der deutschen Öffentlichkeit unter Verdacht, zu konservativ, wenn nicht sogar radikal zu sein."Dabei entwickelt der Film eine stim

Germany 2017, 90 min
by Martin Farkas

“After all, these are not good memories, fun memories. And really, that time is buried.” Between 30 April and 4 May 1945, several hundred civilians commited mass suicide in the Pomeranian town of Demmin. There was desperation between the ideological void and the fear of the Red Army. Whole families drowned, hanged or poisoned themselves. The nervousness of the old citizens of Demmin whom Martin Farkas visits is still noticeable: not a hand that stays motionless during the interview – they are ru