2022, 112 minby Cordula Kablitz-Post
A 150bpm success story: a documentary about Hans Peter Geerdes alias H.P. Baxxter, the mastermind of Scooter. Once upon a time, no German band polarized opinion like these techno pioneers. What was once funfair music is today cultish, Dadaist madness. With simple, concise slogans like »Hyper! Hyper!« or »How much is the fish?«, Scooter became internationally famous and have sold more than 30 million recording media. The film interweaves private, exclusive archive material from the 29-year band h
FCK 2020 - two and a half years with Scooter
Germany 2019, 106 minby Cordula Kablitz-Post
The German (punk)rock band DIE TOTEN HOSEN is a phenomenon of superlatives. In this music & concert documentary we accompany Germany's legendary and most successful rock band with 19 millions records sold with unparalleled access on their biggest tour in band history – both in the limelight and backstage with 'access all areas'.
Die Toten Hosen - You only live once
Germany 2015, 90 minby Ina Borrmann
In Central Europe ten percent of all couples need longer than two years to make their wish of having a child come true. As with so many other things, I put my wish for a child off until the last possible biological moment. The idea of having a baby frightened me. I was preoccupied with myself and didn‘t want a commitment. On the one hand there was the desire for a relationship and a home but on the other there was the longing for total freedom and independence. It also seemed important to me to
EVERY 28 DAYS
2011, 57 minby Cordula Kablitz-Post
Nina Hagen is the ‘godmother’ of punk rock.Cordula Kablitz-Post accompanies her and looks behind the shrill façade of a superwoman, who is a role model for many women and musicians around the world as she has always followed her own path and mastered countless tribulations with her unbeatable wit.
NINA HAGEN – GODMOTHER OF PUNK
Germany 2009, 43 minby Cordula Kablitz-Post
With his unique documentary style, multiple award-winning director Andreas Dresen is considered an anomaly among contemporary film directors. Through interviews with Dresen and some of his important collaborators such as Axel Prahl, Inka Friedrich and Thorsten Merten, this portrait traces the course of the director's career. Dresen delves into the archives of the Deutsches Theater in Berlin, and discovers previously unseen photos from productions of his father Adolf Dresen from the 1960s and 70s
Andreas Dresen
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