Films by Andreas Hildebrandt

Germany 2023, 97 min
by Steffi Niederzoll

Tehran, July 2007: Reyhaneh Jabbari, 19, has a business meeting with a new client. When he tries to rape her, she stabs him in self-defense. Later that day, she is arrested for murder. Her trial results in a death penalty sentence. Thanks to personal and secretly recorded videos provided by Reyhaneh's family, their testimonies and the letters written by Reyhaneh in prison, the film retraces the fate of a woman who becomes a symbol of resistance and women's rights even beyond the borders of Iran.

Germany 2021, 96 min
by Corinna Belz, Enrique Sánchez Lansch

Hidden doors open in this film about the iconic Uffizi Gallery, home to the world's most prominent collection of Renaissance art. Guided by passion, German Director Eike Schmidt and his Italian team master the sensitive balancing act between conservation and renewal. We dive into famous masterpieces that captivate visitors of all ages and nationalities.

Germany 2020, 81 min
by Valentin Riedl

Carlotta cannot recognize faces, not even her own. For her, human faces are no bastion of trust, but places of fear and confusion. She is one of the 1% of all people whose part of the brain responsible for facial recognition does not work properly. With his film LOST IN FACE, neuroscientist Valentin Riedl travels through Carlotta’s universe, full of anthropomorphic animals, lucid dreams and bumpy false paths. He peels back her charming, idiosyncratic solutions that she employs to be able to join the masses of human conformity, until she one day decides to build a ship and leave her fellow humans. Her never-ending search for answers leads her to art—and thus an avenue to her own face and back to humanity. “As a neuroscientist and filmartist, Valentin merges abstract science with the artistic form of film to open a new world to the spectator” Wim Wenders

2016, 89 min
by Corinna Belz

A film about words and about a luminary of modern literature: about Peter Handke, with Peter HandkeIn her new documentary, filmmaker Corinna Belz explores the enigma that is Peter Handke. His book titles read like the tunes on a jukebox, like the watchwords of several successive generations of readers: ‘Offending the Audience’, ‘The Goalkeeper’s Fear of the Penalty’, ‘A Sorrow Beyond Dreams’, ‘Short Letter, Long Farewell’, and ‘The Weight of the World’. In the ‘60s, Peter Handke showed how to walk the walk of the author-cum-popstar. Yet the moment he made the bestseller lists, he turned his back on all that. He went traveling, taking his readers along with him, into the rhythm and precision of his language, the long, pulsating sentences, the invention and examination of reality. The film shows Mr. Handke as a young man and in his daily life today, always devoted to language, posing the burning questions: Where are we now? And, to quote one of his early films: How to live?

Germany 2015, 93 min
by Andrea Roggon

Helge Schneider is one of the most extraordinary German artists: Jazz musician, entertainer, film director, actor and clown. His exceptional talent is his improvisational skill. This is where he shows his bubbling creativity. “I make the everyday grey colorful,” is what he says about himself. In his world, the fantastic coexists with the everyday and it is difficult to define the boundaries between reality and fiction. Even in his communication with his audiences, this element of disguise is used, humorously conveying his attitude toward the world. But how does Helge Schneider react to a filmmaker who approaches him to make a portrait about him when he doesn’t like for people to know too much about him?