Films

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139 films found. Download PDF (approx. 144 pages)
DYING DEMOCRACIES – EUROPE IN DECLINE

Germany 2024, 90 min
by Richard C. Schneider

The state of Europe is bad. Right-wing populists are coming ever closer to power or have already taken it over. The fatal thing about this is that we only seem to realize, that a state is becoming autocratic, reactionary or even a dictatorship when it is almost too late. In this two-part documentary, we will look at Hungary, Italy, the Netherlands and France, four countries that have already embarked on the path to illiberal democracy. What were or are the strategies used in these countries to destroy democracy - and do these steps possibly also serve as a blueprint for other countries?RISE OF THE POPULISTSRight-wing populists are on the rise around the world and are jeopardising liberal democracies. The issues they use to campaign are always similar: against migrants, against elites, in favour of the nation. Using the Netherlands and France as examples, the film shows how successful right-wing populists are in gaining power. In the Netherlands, Geert Wilders was able to form a governing coalition, while in France, Marine Le Pen's Rassemblement National party won the European elections and also made gains in the national parliamentary elections. Le Pen wants to win the presidential elections in 2027. The succession of crises is making people increasingly insecure and looking for simple answers: Islamist terror since 9/11, the economic crisis in 2008, the influx of refugees in 2015, the Covid crisis, the war in Ukraine and now the crisis in the Middle East are making people increasingly nervous as they see their prosperity and peaceful lives under threat. Right-wing populists are exploiting this situation by creating enemy stereotypes against which they want to defend and protect their respective nations.EROSIN FROM WITHINWhere right-wing populists are already in power, it is clear how they are eroding democracies from within. They take over democratic institutions and render them meaningless. Using Hungary and Italy as examples, the film shows how right-wing populists operate when in power. Hungary's Prime Minister Viktor Orbán set the script from 2010 onwards: He changed the constitution, disempowered the judiciary and ruined the free press. Italian Prime Minister Giorgia Meloni is now trying to do the same. This raises questions for all democratic parties in Europe: Are they able to stand together against the populist threat? Can they make the people of Europe a political offer that takes their concerns and fears into account and thus win back those who have not yet drifted ideologically to the far right in favour of democracy?

Dying Democracies – Europe in Decline

CAPITAL B. WHO OWNS BERLIN?

Germany 2023, 250 min
by Florian Opitz

The 5 part high-end documentary series CAPITAL B. WHO OWNS BERLIN? tells in an exciting and entertaining way how Berlin became what it is after the fall of the Berlin Wall. It has been a hip global metropolis for three decades, attracting artists, freedom lovers and young people from all over the world. But the way there was by no means preordained.And Capital B tells the story of how Berlin’s citizens have been fighting back ever since: against the sellout of their city, its displacement and against Berlin suffering the same fate as London, New York and Paris before it. To become a boring biotope for rich people and investors.In the 5 episodes we experience greed, corruption, the emergence of various youth and subcultures in the 90s and noughties, housing struggle, crime, and the rise and fall of greedy politicians.Capital B tells this story in a special way: multi-perspectival from the point of view of those who have shaped the city: Politicians, artists, entrepreneurs, squatters, club operators and clan members.Capital B is not the umpteenth true-crime series, but an unprecedented urban sociology in the form of an exciting, entertaining and highly topical documentary series. New in style, socio-politically relevant and excitingly told. Like Netflix, but public service. Or to put it immodestly: a mixture of House of Cards and The Wire, but for real, as a docu-series.With: Eberhard Diepgen, Klaus Landowski, Renate Künast, Sandy Kaltenborn, Marion Brasch, Peter Fox, Klaus Wowereit, Kool Savas, Dimitri Hegemann, Thilo Sarrazin, Pamela Schobeß, Franziska Giffey a.o.

Capital B – Who owns Berlin?

EUROPE’S UNIQUE WATER LANDSCAPES

Germany 2023, 225 min
by Sibylle Smolka, Detlev Konnerth, Katja Runge

Breathtaking canyons, lakes and rivers: from the Tatra Mountains via the Dordogne to the Danube Delta, this series explores extraordinary, still unspoilt corners of Europe where water plays a central role.Where the elements of water and earth meet, the forces of nature are unleashed in a dramatic way. Spectacular landscapes and extraordinary habitats are created for plants and wildlife. And the energies they release have a magnetic effect on man. Often, though, it’s a case of love at second sight. As travel destinations, inland bodies of water have always been overshadowed by coastal shores. But this appears to be changing. The environmentally conscious and especially younger people are becoming increasingly interested in these intact landscapes in the heart of Europe. Once they have discovered the magic of these unspoilt regions, they soon want more. This series takes us to little-known areas of untouched natural beauty where water plays a central role: breathtaking canyons, lakes, rivers and landforms whose rich fauna and flora leave a lasting impression on us. Because of the biodiversity of these exceptional regions, some are already protected as national parks, UNESCO World Natural Heritage Sites or biosphere reserves. The series introduces us to five especially stunning landscapes in Europe. Far from the usual tourist trails, we explore unique spots in Poland, Slovakia, Romania, France, Montenegro and Germany.

Europe's Unique Water Landscapes

WE ARE FIRE! out of the series DRAW FOR CHANGE

Belgien, France, Germany, Luxembourg, Netherlands, USA 2023, 52 min
by Karen Vázquez Guadarrama

Mar Maremoto is a vibrant force of queerness and punk energy. Through her dynamic and emotional artwork, she fearlessly delves into the profound impact of machismo, anguish of fat-shaming, and struggles of not conforming to societal norms.Maremoto (Mar) is a young illustrator in Mexico City struggling to make sense of a town where 11 women are murdered daily, and 95,000 people have gone missing, with no one held accountable. Her feminist drawings support her community in dealing with the emotional trauma left by the femicides and galvanize them to fight to get the government forces to act. With her work, Mar also creates a safe space for the LGBTQ+ community and teaches self-acceptance. [14 DOC NYC, Ruth Somalo]about the series DRAW FOR CHANGE!Cartoonists play a critical role in our world of social media, populism and fake news, offering a unique perspective and voice that can help to cut through the noise and provide clarity in a sea of information. In this digital age of post-truth, the cartoon did not lose any of its power for social commentary and activism. On the contrary.The series DRAW FOR CHANGE! showcases six female cartoonists from around the globe challenging societal boundaries and norms. In each episode, a cartoonist offers viewers a glimpse into her world, exposing not only the hurdles and perils she faces but also the bravery and wit essential for overcoming them. Filming took place in Mexico, Russia, India, Syria, Egypt [and the US], with each country offering distinct challenges, resulting in six episodes centered on themes like femicide, press freedom, and female representation. This series introduces resilient women who draw because it’s unthinkable not to. Despite job loss, intimidation, or death threats, they persist, contributing to incremental changes in their societies. Each film, directed by a distinguished female director linked to the subject’s country, seamlessly blends documentary, cartoons, and animation.After an idea of showrunners/cowriters Vincent Coen & Guillaume Vandenberghe, DRAW FOR CHANGE!, written and directed by Alaa Amer, Alisar Hasan, Sama Pana, Anna Moiseenko, Karen Vázquez Guadarrama [and Laura Nix], and produced by Clin d’oeil films (Hanne Phlypo), coproduced by A Bahn (Marion Guth & François Gall), Point du Jour/Les films du balibari (Estelle Robin You) and Ma.ja.de (Heino Deckert) is presented as broadcast episodes (52 minutes RT) and some have an additional feature lenght (70 minutes RT).

We Are Fire!

WORKING FOR THE ENEMY – FORCED LABOUR IN THE THIRD REICH

Germany 2023, 156 min
by Matthias Schmidt, Vit Polacek

Europe, 1930s: the Jewish Hertzberger family were living happily in Rotterdam. Just a few hundred kilometres away, young German Wilhelm Frank hoped for the resurgence of the German nation and became Hitler’s supporter. Ellis Hertzberger and Wilhelm Frank represent the polar opposites that set the underlying tone for Lost Youth (Ep1). From numerous international perspectives, the award-winning writing duo of Matthias Schmidt and Vít Poláček tells the story of both, the victims and the perpetrators, in conversations with their children and grandchildren. A story of reconciliation in modern Europe. In the name of Hitler, more than 13 million Europeans – in many cases mere children – were taken from their homes and forced to work for the enemy, Nazi Germany. This phenomenon was not confined to concentration camps: there was no German town, no German village that did not have forced labourers. From numerous international perspectives, this series traces the story of both, the victims and the perpetrators. And it discusses why the reappraisal of this history continues to be political dynamite for European politics and the global economy.8 May 1945: World War II comes to an end in Europe. But for many Europeans, this does not end their suffering. They may be free, but they are uprooted and traumatised: between 1938 and 1945, more than 13 million people were deported from their homes and send to Nazi Germany to work as forced labourers. Many of them were forcibly deported, many interned, all of them exploited. Marked with letters on their clothing and forced to work for the enemy. More than six million of them are still in the Third Reich when it falls in 1945. But they quickly disappear from the consciousness of the German and international public. And yet everyone knew who they were and what they did: in every town, in every village, on every farm – forced labourers were ever-present.This mini-series uncovers the forgotten life stories of millions of mostly young adults and children.Through diaries, photographs, letters and other personal documents, the stories of these people who have since died are brought to life. The focus however is on the generations that followed: in conversations with the children and grandchildren of the victims and perpetrators, the series tells a story of reconciliation in modern Europe.The award-winning German-Czech journalist duo of Matthias Schmidt and Vít Poláček innovatively follows selected individual stories, told in a horizontal structure, which encompass all the dimensions of the Nazi programme of forced labour. They also pursue the central questions surrounding how the phenomenon of forced labour was dealt with after the war.The transnational and multi-perspective approach to forced labour opens up this phenomenon in all its complexity. In this way, the series paints a multifaceted picture of all those who were forced to work for the enemy – young women, men and children from many different countries – and of those who profited from them. To this day, their fate defines the lives of their descendants, the political and economic face of Germany and thus also the numerous narratives of guilt and reconciliation in modern Europe.

Working for the Enemy – Forced Labour in the Third Reich