Keil Kruska Film UG (haftungsbeschränkt)

2017, 91 min
by Judith Keil, Antje Kruska

Der Film begleitet den Imam bei seiner täglichen Arbeit, in der er für Familienprobleme Rat geben soll und zugleich Stellung beziehen zu politischen Fragen der Öffentlichkeit. Dabei führt er ein offenes Haus, indem er immer wieder zu Diskussionen einlädt. Während er in seiner muslimischen Gemeinde oft gegen eine zu strenge Auslegung der Religion ankämpft, steht er in der deutschen Öffentlichkeit unter Verdacht, zu konservativ, wenn nicht sogar radikal zu sein."Dabei entwickelt der Film eine stimmige Dynamik und umgeht mit beschwingter Leichtigkeit die Gefahr, zum Problemstück zu werden." (FilmDienst)

Germany 2013, 93 min
by Antje Kruska, Judith Keil

Paradise does have its downsides. Unlike the biblical Christians who want to enlighten him, Brian, an asylum seeker from Cameroon, has hopes for this life – and that’s clearly situated in Germany. Unfortunately he has ended up in Bad Belzig in Brandenburg, where there’s little excitement except for an amateur belly dance group and a marching band. He has no 'useful' country of origin to show for – right now there’s no war in Cameroon, only a lack of opportunity. The Yemenite soldier Abdul, who would rather carry arms in civilian life and work in security, is in a similar situation. Farid from Iran for his part can’t go back for political reasons and can't bring his family over without residence status. Three open-ended fates which the two directors accompany with their usual thoroughness over the course of a year in their fourth film together as they attempt to understand the wordings of the employment agency and the red tape jungle, and to find a German wife, if need be. Preferably one who doesn't just guarantee a right of residence but also knows how to cook. Bad Belzig turns out to be a stroke of luck for the film, since the East German province shows a lot of comic potential in its touching attempts to help the foreigners. The intercultural misunderstandings in particular highlight our German 'paradise', which is founded solely on paper. (DOKLeipzig, Cornelia Klauß)