filmkraft filmproduktion

Germany 2024, 72 min
by Peter Heller (c/o filmkraft)

Jean Pierre Felix-Eyoum, a Cameroonian living in Germany, embarks on a journey to find out about his great uncle, the Cameroonian King Rudolf Duala Manga Bell. As a child in the 1890s, Manga Bell went to school in Germany and later, as the king, stood up for the rights of his people. This sealed his fate: in 1914, the German colonial administration sentenced Manga Bell to death. [39 DOK.fest München, Barbara Off]202439 DOK.fest Munich

Germany 2020, 112 min
by Peter Heller (c/o filmkraft)

The palatal invasion from Italy became a legend. The wave of guest workers has infected us with culture. For Germany's children, spaghetti & pizza have become a tradition and staple food. Munich, has thousand Italian restaurants. Old Parma has less, but the old gourmet capital has a industry producing foods: pasta, prosciutto and Parmigiano. Our film tells about development aid and cultural revolution. From waiters and cooks as kitchen partisans and food industry from Parma, which feeds the worl

2019, 100 min
by Peter Heller (c/o filmkraft)

Today it‘s called simply 'looted art'! And just a few years ago it was still called 'Art of the Primitive' or 'Tribal Art'. Our museums are full of Ancient art from Africa. But Africa itself has almost no masks left, the acquisition and provenance of collections in the north of the world are controversial, and young African intellectuals invoke with these fetishes of lost past the history of the continent and their own identity. But who does this treasure really belong to? Experts from Africa as

Germany 2018, 100 min
by Peter Heller (c/o filmkraft)

The film tells from the personal perspective of the filmmaker the history of the Munich district cinema 'Maxim'. The Maxim was centre of his private and professional life. The cinema had been managed for 40 years by the lone fighter Sigi who persistently opposed all trends. The Maxim was a venue, catalyst and home of political documentary and a birthplace of the Munich International Documentary Film Festival. But the political weapon "Maxim" had become dull time by time. The old cinema corner lo

2017, 90 min
by Peter Heller (c/o filmkraft), Saliou Sarr, Barney Ruebe

Conceived as a family saga, the documentary follows through ten years two brothers between Westafrica and Europe – the younger on a tiny island in the Atlantic and the elder brother as a hopeless illegal on Spanish mainland. A film about Europe’s values seen through african eyes of poor migrants, about intercontinental trade routes and connected personal hopes. The saga highlightens cultural and family background, by means of very subjective and direct longterm insights.Aspects of leaving but al

Germany 2017, 80 min
by Peter Heller (c/o filmkraft)

A polygamous family group that stretches from Germany to Nigeria – is that possible? For fifteen years the filmmaker Peter Heller follows the Munich fashion designer and owner of Africa & House, Ann Dörr, as she tries to manage an intercultural extended family.

2016, 35 min
by Peter Heller (c/o filmkraft)

BARCA OU BASSA takes inside views to reasons of migration from a tiny 'paradise island' at the Atlantic coast of Westafrica to Spain. African experts, activists and scientists research and explain under the aspects of economy, ecology, history and geopolitics the background to the individual story oft he two migrating brothers ( LIFE SAARABA ILLEGAL ) in times the ’Fortress Europe‘ is sealing of.

Germany 2010, 55 min
by Peter Heller (c/o filmkraft)

Nelson Mandela's long struggle against the racist minority regime in South Africa is legendary. In Mandela's shadow there is one of his most loyal fellow freedom fighters – a white South African. The film portrays the life of this campaigner who is less well known in South Africa and worldwide. He was imprisoned for 22 years – sentenced as a bomb maker and terrorist; branded a 'traitor to the white race'. But even the hatred of his fellow white South Africans could not break his spirit. Goldberg