DEFA Studio für Dokumentarfilme

1991, 13 min
by Eduard Schreiber

A doomsday mood wafts over a garbage dump near East Berlin. Crows and seagulls circle above it while below, a heavy machine trundles over a photograph of Mikhail Gorbachev. Not far from the flag of East Germany, a brochure offers information “about the beginnings of our state” and another on “the economy and national defence”. Mixed among the physical remnants of a defunct state are private artefacts of its citizens – letters, photos, questionnaires rustling gently in the wind next to a broken doll, a damaged accordion, a discarded prosthetic. A young man takes off his clothes. Naked, he sets out. Ah, but whither?The documentarian, writer and translator Eduard Schreiber was considered the only essay filmmaker in East Germany when it still existed. In the highly symbolic images of this 1991 short film, he made manifest the dissolution of Soviet dominance. His Östliche Landschaft (Eastern Landscape) is a filmic elegy on the end of a state, of which what remains, to paraphrase Bertolt Brecht, is “what passed through it, the wind!”. Source of Synopsis

Germany 1991, 91 min
by Wolfgang Kissel, C. Cay Wesnigk

This eye-opening film tells the history of the German Democratic Republic through East Germany's official newsreels and state films. Compared to Leni Riefenstahl, the East German propaganda machine was comically stiff and inept. But filmmakers Kissel and Wesnigk have excavated the archives of the East German state film studio to discover priceless archival footage that compares to THE ATOMIC CAFE: Walter Ulbricht playing ping pong, the East German version of "Sesame Street," Erich and Margot Honecker dancing their last waltz.In this fast moving compendium of East Germany's forty years, STRICTLY PROPAGANDA presents beaming workers and perfect children who populate a world so bizarre and surreal that one can't help but to reflect on other forms of propaganda - including our own."STRICTLY PROPAGANDA" offers a virtual reality style voyage into a brave new world, a place where housewives tirelessly salvage bricks from bombed-out rubble and children sing sweetly about wanting to join the army some day... Using no narration, interruptions, or other means of breaking the spell, Wolfgang Kissel and C. Cay Wesnigk have strung together a riveting series of vignettes, each of them intended to sway the audience in what now seems laughably clumsy ways... Compressing four decades' worth of manipulation into an hour and a half, this film successfully conveys just how maddening and debilitating such information can be over time." - Janet Maslin, New York Times"Funny and terrifying... Kissel and Wesnigk do not allow us the comfort of a dismissive sneer, but asks us to remember that 17 million people lived under this system for 40 years. It isn't easy to separate the chuckles from the shudders while watching the film; this is camp that once had the force of law." - Dave Kehr, New York Daily News"Voice Pick!... A dramatic illustration of Karl Marx's observation that the road to hell is paved with good intentions... a seamlessly straightforward compilation of newsreels and education films from the no longer existent German Democratic Republic, which, assembled by Wolfgang Kissel and C. Cay Wesnigk, makes most sense as a prolonged fiction: IT'S ALL FALSE. The imaginary location is as exotic as Brazil and, in its petrified way, nearly as carnivalesque." - J. Hoberman, Village Voice